Explore the best Music & Audio software for Mac. Browse our catalog of over 50 000 mac apps. MacUpdate is serving app downloads since 1997. Now, open up a recording app, like QuickTime Player, which comes built-in with your Mac. Open a new audio recording window, and in the pop-open menu, choose BlackHole 16ch as the “microphone. Background Music also adds a status bar menu with individual app volume controls for all apps running on your Mac, a highly useful feature when you either need to boost an app's maximum audio volume or quiet down one with a very loud audio output. Additionally, each app's volume controller listed in Background Music's interface also makes it.
Want to set up your Mac computer to be a hi-res audio source? Scott Schumer describes the process-from downloading and storing music files to the playback software to the system connection options. 2 Useful Mac Apps to Separately Control Volume for Individual. It also has a phenomenal feature that auto-pauses your music when another source of audio starts playing, then. Apple includes their entry-level GarageBand music editing app with every new Mac. That means, if you're new to music or a hobbyist, GarageBand is where it's at. GarageBand uses the same Drummer digital session player as Logic Pro X (though to a lesser extent in terms of available sounds) and is the perfect app to help you start creating. Renderforest Music Visualizer. Compatibility: Online. Renderforest comes in both freemium.
Setting up an Apple computer for audio is simpler than a Windows pc because Apple offers fewer options. but it’s still possible to end up with a system that doesn’t perform optimally. often it’s a case of not getting the machine configured correctly. the following guide will hopefully get you to a reasonable starting point for your Mac computer audio odyssey.
For me, the three most important aspects of a computer audio system are stability, reliability, and simplicity of operation. Sound quality comes after these three primary goals are met: ultimately it doesn’t matter how good your computer audio system can sound if you can’t get it to work.
Given my priorities, the principal goal of this guide won’t be the best performance. (John Quick talks about this in the following feature.) No, the goal here is to achieve a system that is going to deliver sound 99.9% of the time without having to screw around. Even a naïve user should be able to use a computer audio system almost as easily as a CD player.
Hardware
Which Apple computer you choose for computer audio will depend on several factors, but principally budget and portability. Portable Macs, whether MacBook Pro or Air, make great audio computers, especially if you want one system that you can take with you. A Mac Mini is less expensive initially, but it does require an external monitor and keyboard for full functionality. An iMac is also a good option and the monitor is built-in. Some folks (like me) even use a MacPro desktop machine for audio duties.
Nowadays, the Macs I see most often used for audio are the Mac Mini or a Mac portable. Mac Minis are the most popular “desktop” machine due to their size and price. Also a Mac Mini can be run “headless” after initial setup, without a monitor or keyboard via the “Remote” Smartphone app (a Mac portable can be used this way also, but the screen will remain active). Any Mac that supports the current or near-current operating system can be used for audio playback duties. Considerations such as whether you want portability are more easily quantifiable than whether one Mac model sounds better than another.
Apple offers all its computers with different memory and hard-drive configurations. You can order a Mac directly from Apple exactly the way you want it or you can purchase a barebones configuration and add your own memory and storage later. OtherWorld Computing sells all the necessary parts as well as step-by-step instructional videos on its site for installing memory, solid-state drives, and auxiliary hard drives for nearly every model Mac.
If you want to do an audio-only computer system, be aware that there are different levels of audio-only exclusivity. And there’s always a trade-off of ergonomics lost versus sonic benefits gained. Access to the Internet is not necessary to play back a music file, but it does allow for greater levels of operability, including access to Internet radio (which can be very good), streaming services, and GraceNote for identifying ripped CDs. But a system with Internet access means that more operations will be ongoing and some could have an effect on overall audio quality. The tweakiest and most obsessive sound-quality-first Mac setups tend to be isolated stand-alone systems without Internet access. PreSonus, in its guide to Mac OS use, recommends turning off the airport wireless service while using a Mac for audio. Obviously this drastically reduces functionality, sort of like supergluing your mouth closed to keep from occasionally drooling. Some Mac audio set-up guides also recommend turning off “Spotlight,” which is the file-searching utility. This is great until you need to find a file.
There is no reason that a current-generation Mac needs to be gelded into a barebones operating system to perform optimally for audio. The Mac operating system and hardware were made for multitasking, and the Mac will be performing background processes while playing music even if it has been stripped-down. While I don’t recommend regularly running a bunch of high-demand processing and disc-access programs such as Photoshop while listening intently to music, the reasons for creating a stripped-down music-only Mac were far more relevant back in the days of the G5 desktop than they are today.
How much memory is optimal for audio? Most users find that the right amount of memory is the same amount as for a full-service Mac. Nowadays, that’s 8 Gigabytes. You can “get by” with 4 Gigs, but given the cost of memory, there’s no reason not to have 8GB. Adding more than 8 Gigs of memory won’t buy you any advantages, and the extra memory will generate more heat and use more power. Music playback doesn’t require very much in the way of processor and memory usage compared to apps such as Photoshop. I use a 2006 MacPro desktop with 16GB of memory. Playing a 29-minute 96kHz/24 music file with Pure Music software used only 1025.4MB of real memory, 3.31 of virtual memory, 996.5 of private memory, and 1.09 of virtual private memory. The total amount of CPU usage was only 5.37%. With a newer, faster processor the CPU usage would be even lower. If I had only half the memory there would still be plenty left over.
Many storage options are available, but the most common way to go is with a solid-state drive for the OS and user files, then a second conventional larger hard drive for music files and/or Time Machine backup files (I’ll tell you about Time Machine later). The reasons for using a solid-state drive are increased read and write speeds and lower power usage for less stress on the power supply. The second drive can be internal or external, but external is more common. Nowadays portable 1, 2, and even 3TB portable hard drives are inexpensive and plentiful. I use a redundant system where I have two of each external drive, one in service and one as back up. Once a week I copy new files from the one in use to the backup drive, then put the drive away again. Some users opt for a RAID array for their music files, but I’d rather have identical libraries on two separate drives than two libraries on the same drive in a RAID array. Even with a RAID drive, if it fails catastrophically (which is usually how they go), you lose all your data, which is not an experience I recommend.
Ridiculously powerful. Seriously creative.
Live LoopsFor spontaneous composition.
Live Loops is a dynamic way to create and arrange music in real time. Kick off your composition by adding loops, samples, or your recorded performances into a grid of cells. Trigger different cells to play with your ideas without worrying about a timeline or arrangement. Once you find combinations that work well together you can create song sections, then move everything into the Tracks area to continue production and finish your song.
Remix FX
Bring DJ-style effects and transitions to an individual track or an entire mix with a collection of stutters, echoes, filters, and gating effects.
Logic Remote
Control features like Live Loops, Remix FX, and more from your iPad or iPhone using Multi-Touch gestures.
Novation Launchpad
Live Loops supports Launchpad for a tactile experience. Use an 8x8 grid of colorful and expressive pads to dynamically trigger cells, input notes, adjust mixer levels and more.
Step SequencerPure beat poetry.
Step Sequencer is inspired by classic drum machines and synthesizers. Using the Step Sequence editor, quickly build drum beats, bass lines, and melodic parts — and even automate your favorite plug-ins. Add sophisticated variations to your pattern with a wide range of creative playback behaviors. Use Note Repeat to create rolling steps, Chance to randomize step playback, and Tie Steps Together to create longer notes.
Logic RemoteTouch and flow.
Logic Remote lets you use your iPhone or iPad to control Logic Pro on your Mac. Use Multi-Touch gestures to play software instruments, mix tracks, and control features like Live Loops and Remix FX from anywhere in the room. Swipe and tap to trigger cells in Live Loops. And tilt your iPhone or iPad up and down and use its gyroscope to manipulate filters and repeaters in Remix FX.
NewSequence your beats
Program drum patterns and melodic parts from your iPad or iPhone. Create dynamic rhythmic performances, and automate your plug-ins — all with a quick tap of your finger.
Multi-Touch mixing
Control your mix from wherever you are in the room — whether that’s next to your computer or on the couch — with Multi-Touch faders.
Pair and play
Use a variety of onscreen instruments, such as keyboards, guitars, and drum pads, to play any software instrument in Logic Pro from your iPad or iPhone.
Key commands
Create at the speed of sound with key commands in Logic Remote. Choose from curated commands for popular workflows, or create your own custom set.
Sampler
We redesigned and improved our most popular plug-in — the EXS24 Sampler — and renamed it Sampler. The new single-window design makes it easier to create and edit sampler instruments while remaining backward compatible with all EXS24 files. An expanded synthesis section with sound-shaping controls brings more depth and dynamics to your instruments. The reimagined mapping editor adds powerful, time-saving features that speed the creation of complex instruments. Use the zone waveform editor to make precise edits to sample start/end, loop ranges, and crossfades. And save hours of tedious editing with new drag-and-drop hot zones.
Quick Sampler
Quick Sampler is a fast and easy way to work with a single sample. Drag and drop an audio file from the Finder, Voice Memos, or anywhere within Logic Pro. Or record audio directly into Quick Sampler using a turntable, microphone, musical instrument, or even channel strips playing in Logic Pro. In a few steps, you can transform an individual sample into a fully playable instrument. And with Slice Mode, you can split a single sample into multiple slices — perfect for chopping up vocals or breaking up and resequencing drum loops.
Drum Synth
This powerful but easy-to-use plug-in creates synthesized drum sounds. Choose from a diverse collection of drum models and shape their sound with up to eight simple controls. Drum Synth is also directly integrated into the bottom of the Drum Machine Designer interface — giving you a focused set of sound-shaping controls.
Drum Machine Designer
Redesigned to be more intuitive and integrated, Drum Machine Designer lets you effortlessly build electronic drum kits. Apply individual effects and plug-ins on each discrete drum pad to experiment with sound design and beat-making in new ways. You can also create a unique layered sound by assigning the same trigger note to two different pads. To help you quickly edit sounds, Quick Sampler and Drum Synth are directly integrated into the Drum Machine Designer interface.
DrummerCompose to the beat of a different percussionist.
Using Drummer is like hiring a session drummer or collaborating with a highly skilled beat programmer. Create organic-sounding acoustic drum tracks or electronic beats with the intelligent technology of Drummer. Choose from dozens of drummers who each play in a different musical genre, and direct their performances using simple controls.
Compositions and PerformancesYour studio is always in session.
Logic Pro turns your Mac into a professional recording studio able to handle even the most demanding projects. Capture your compositions and performances — from tracking a live band to a solo software-instrument session — and flow them into your songs.
The ultimate way to record.
Seamless punch recording. Automatic take management. Support for pristine 24-bit/192kHz audio. Logic Pro makes it all easy to do — and undo. You can create projects with up to 1000 stereo or surround audio tracks and up to 1000 software instrument tracks, and run hundreds of plug-ins. It’s all you need to complete any project.
Get the most out of MIDI.
Logic Pro goes beyond the average sequencer with an advanced set of options that let you record, edit, and manipulate MIDI performances. Transform a loose performance into one that locks tight into the groove using region-based parameters for note velocity, timing, and dynamics. Or tighten up your MIDI performances while preserving musical details like flams or chord rolls with Smart Quantize.
Industry-leading tools
As your song develops, Logic Pro helps organize all your ideas and select the best ones. Group related tracks, audition alternate versions, and consolidate multiple tracks. Lightning-fast click-and-drag comping helps you build your best performance from multiple takes.
Smart Tempo
Go off-script and stay on beat with Smart Tempo, a way to effortlessly mix and match music and beats without worrying about the original tempo. Record freely without a click track. And easily combine and edit MIDI and audio tracks — from vinyl samples to live instruments to multitrack audio stems — with constant or variable tempo.
Flex Time
Quickly manipulate the timing and tempo of your recording with Flex Time. Easily move the individual beats within a waveform to correct drum, vocal, guitar, or any other kind of track without slicing and moving regions.
Flex Pitch
Edit the level and pitch of individual notes quickly and easily with Flex Pitch. Roll over any note and all parameters are available for tweaking.
Track Alternatives
Create alternate versions of a track or multiple grouped tracks, and switch between them at any time to audition different options. Create, store, and select from different edits and arrangements of track regions to make it easier to experiment with various creative ideas.
Takes and Quick Swipe Comping
Click and drag to choose the best sections of each take to create a seamless comp, complete with transition-smoothing crossfades. Save multiple comps and switch among them to pick the one you like best.
Track Stacks
Consolidate multiple related tracks into a single track. Use a Summing Stack as a quick way to create submixes. Or create layered and split instruments.
Project Alternatives
Mac Audio Music Apps Download
Create as many alternate versions of a project as you’d like, each with its own name and settings but sharing the same assets — efficiently saving storage space. Load any version to make changes without compromising your original.
Track Groups and VCA Faders
Manage large mixes with Track Groups and VCA faders. Assign any selection of channels to a track group, then control the levels or other parameters of all tracks in the group from any single channel in the group.
Automation
Easily capture changes to any channel strip or plug-in parameter. Just enable automation, press Play, and make your changes.
Even more pro features in the mix.
Logic Pro is packed with incredible tools and resources to enhance your creativity and workflow as you sharpen your craft — even if you’re a seasoned pro.
Graduate from GarageBand.
Logic Remote. Touch and flow.
MainStage
Sound as great onstage as you do in the studio.
Mac Audio Music Apps App
Education Bundle